Forum Replies Created
-
AuthorPosts
-
July 24, 2024 at 10:56 am in reply to: Module 5 – The Past, Present and Future of Ireland’s Dark Skies #217017
Great ideas Michael- I’m planning to do a project similar to this next year.
July 24, 2024 at 10:53 am in reply to: Module 5 – The Past, Present and Future of Ireland’s Dark Skies #217013Michael D. Higgins’ poem “Stardust” reflets on the interconnectedness of all life, emphasising how humans are composed of the same elements as the stars. Inspiration and comfort can be taken from the wonder of the night sky and the cosmos.
Connecting with the night sky can be both fun and deeply emotional, beautifully captured through various songs. Classics like “Twinkle, Twinkle, Little Star” evoke timeless wonder, while David Bowie’s “Space Oddity” blends excitement with melancholy. Coldplay’s “A Sky Full of Stars” celebrates celestial beauty, and Elton John’s “Rocket Man” explores the thrills and loneliness of space travel. Frank Sinatra’s “Fly Me to the Moon” adds playful exploration, and emotional songs like Bruno Mars’ “Talking to the Moon,” and The Beatles’ “Blackbird” deepen connections with themes of longing and hope.
Poetry enriches our bond with the cosmos. As was pointed out in this module, John O’Donoghue’s ‘The wound at the side of the house’ highlights the effect of light pollution on the natural wonder and beauty of the sky at night.Jane Taylor’s “The Star” celebrates a twinkling star’s wonder, Robert Frost’s “Stars” contemplates their beauty and mystery, and Walter de la Mare’s “Silver” paints vivid moonlit scenes. John Keats’ “Bright Star” offers romantic constancy, while Walt Whitman’s “When I Heard the Learn’d Astronomer” contrasts scientific understanding with the emotional experience of stargazing.
Art expresses our fascination with the night sky. Van Gogh’s “Starry Night” and “The Starry Night Over the Rhône” capture starry energies, while Whistler’s “Nocturne in Black and Gold – The Falling Rocket” evokes night time drama. Rubens’ “The Milky Way” and Hokusai’s “The Great Wave off Kanagawa” highlight celestial beauty and awe, deepening our cosmic connection.
The visibility of the northern lights is a great example of how light pollution effects visibility. The difference in experiences depending on location of city, town or village really highlighted this for me too.
Light pollution is increasingly encroaching upon Ireland’s once-starry skies, masking the Milky Way and disrupting local ecosystems. In my area, the glow from streetlights and urban sprawl diminishes our natural nocturnal environment, affecting wildlife and our ability to appreciate the night sky.
To engage learners, I would start this theme with a hands-on approach, with the intention of completing a variety of activities over the course of the fortnight. We could map out light pollution in our area using simple tools like lightpollutionmap.info. This activity would not only show the extent of light pollution but also highlight its impact on wildlife and human health through discussion. We’d then analyse data and compare our findings with historical star maps to understand how light pollution has evolved.
Next, we would engage in some experiments using spectroscopes and colour wheels to explore light. We would also look at the experiment based on the box planetarium and examine results.
The students could create awareness campaigns, designing posters and ICT resources to educate the community. This would help them grasp the importance of preserving our night skies and empower them to advocate for responsible lighting practices. By integrating technology, real-world data, and creative projects, learners would gain a deeper appreciation for both science and environmental stewardship. I would take a cross curricular approach and provide plenty of opportunities for integration.
I like your idea of focusing on this during space week which I believe is October 4-10th. This would be a great time of year to do some project focused work on this theme before Halloween. I intend to complete an integrated plan of work in October using materials engaged with on this course.
Stellarium’s interactive features make it a powerful tool for engaging young learners in astronomy. Below is an outline of how I would use it in my classroom with 3rd class next year.
- Having introduced the children to Stellarium and explaining how it works I would set Stellarium to our location by entering the school’s location. This ensures students see the sky as it appears in our area.
- I will demonstrate how to find and identify constellations. Use the search feature to locate familiar constellations and explain their shapes and stories.
- I will show the children how to adjust the date and time to see how the sky changes:
- We will observe the moon – Use Stellarium to show the current phase of the Moon and its position in the sky. I will demonstrate how to use the time slider to see the Moon’s movement over days.
- I will then let students explore Stellarium on tablets or computers. Have them locate constellations, track the Moon, and note any observations on worksheets.
- As a conclusion we will review what students learned about the sky and answer any questions.
Hi Amy,
I really like you ideas in regard to ESERO 30 Day and Night lesson Plan, I also this it’s suitable for younger classes and can be tailored as such. I especially think the hands- on group work labelling the oranges would be so enjoyable for children of this age and throughout the learning there is plenty of opportunities for language learning as you said.
To engage primary school children in constructing a sundial to investigate time, I would start by sparking their curiosity with a simple question: “How do you think people told time before clocks were invented?” After some discussion, I would explain the concept of a sundial and how it uses the position of the Sun to tell time.
Next, I would gather the materials we need: a paper plate, a pencil, markers, and a small piece of modeling clay. I’d demonstrate how to mark the centre of the plate and insert the pencil upright using the clay to secure it. I would explain that the pencil, called the gnomon, casts a shadow on the plate, which we will use to tell time.
I would take the students outside and place our sundials in a sunny spot. We would observe the shadow cast and mark the shadow’s position every hour. As we do this, I’d encourage them to notice how the shadow moves and explain why this happens.
Throughout the activity, I’d engage the children with questions about their observations and relate it to the movement of the Earth around the Sun. This hands-on project would make learning about time and Earth’s rotation both fun and educational.
-
AuthorPosts